We Quit Our Jobs to Build a Cabin—Everything Went Wrong

And it’s great

We had been building a cabin for two or three weeks when the first two through 4 have become the target of a sudden smell of anger. It’s the summer of 2018, amid the emerald-soaked Cascades Range in Washington, and I phone with my father, looking for recommendations on a framing puzzle, while my old friend Patrick (who goes for Pat) fighting a 16-foot board for a reed saw. When the blade hum ceased, it became transparent without delay that he had cut it badly. The sawdust still hung, Pat reached out his hand, grabbed a two-by-four with the conviction of a Baptist preacher, and sent him flying into the woods with a short, crunchy.

Much more woodenin would end up in the woodenens. We have lost countless times from morning to night, wasting valuable hours of daylight. Building a cabin was a task for which one can say that “we were not fully prepared”. Sometimes, those months of hard work, our anger burned so intensely that we imagined that the boards we throw into the woodenens could never land. They would simply keep flying, the woodenens would decompote over time and break into smaller and smaller pieces until they disappeared, while our brains exploded with frustration and worry.

In reality, the total allocation is born of frustration. A few months earlier, Pat and I had what’s probably a smart career: I was a journalist at a national magazine in San Francisco and Pat editor at a generation corporation in Seattle. We were lucky to have smart bosses and colleagues who became friends. But we were limited to the workplace and felt trapped by seizure, phone calls, lazy chats and emails, all under the hum of fluorescent lights. We were hit by the consistency of all this and cared about not being able to find satisfaction in the jobs that many of our colleagues seemed to appreciate. Sometimes we hoped to have an excuse to leave: an explosion after a failed assignment or an absurd request from a boss.

We knew we were fortunate to have smart jobs, and long before our country faced a pandemic and high unemployment, however, we faced the existential crisis that has just spent its days doing something you don’t like and wondering if that’s how the five, ten arrangements the next 20 years will take place. We were in our thirties, young, but not so young. We’ve noticed articles linking sedentary lifestyles to central diseases, diabetes, cancer and misery. We are looking to leave our respective offices and verify anything different.

We knew how insufferable it would sound: a couple of discontented millennials deciding to leave stable jobs to do “something more meaningful.” People would think we were a couple of wannabe Foster Huntington dropouts. But being a trope and being free seemed better than being trapped inside for the better part of our thirties. 

For the past five years, we’d joked about various alternatives to our day jobs: scuba dive instructor, skydiving teacher, maybe own a cool hookah café with live music. But one option didn’t seem as ridiculous as the others: leaving our desks to build a cabin from scratch. 

It started in 2013, when, seeking a base camp for mountain adventures, Pat bought a 10-by-12-foot off-grid shack on Craigslist for $7,000. It was in Index, Washington, on the western slope of the Cascades, an hour-and-a-half drive from Seattle. 

The first thing he did was organize a long night of paintings to solve the problem. I flew from my house in Oakland, California. With an organization of friends, we rip out exposed nails, cover internal walls, build a terrace and an annex building and exposed tiles. At night, covered in sawdust and grime, we drank too much and snuggled up around a propane stove to warm up, eventually falling asleep and breathing with destructive vapours all night until we woke up in the morning. It’s terrible, and one of the most productive weekends I’ve had lately.

In the years that followed, I spoke to Pat to see how cabin innovations were going. Every six months or so, he would come back and spend the weekend with the equipment in his hand: he built stairs leading to a small attic, climbed ornaments to the windows that also involved neat rows of spices or gravel rakes. The driveway.

We were very smart builders, we thought. My father was an entrepreneur and I had worked with him in his development. Pat learning on the fly by renovating the cockpit. Finally, the jokes about quitting our job and the construction of a new cabin began to come with attachments: links to listings of genuine goods, photos of designs of cabins drawn on towels and coasters.

On an icy afternoon in February 2018, crushed by lime tendrils, things took a more serious turn. We were at a Bon Iver making a stopover in Minnesota, and maybe the music (even more likely the gimlets) made us communicate about big dreams with our friend Dan. We presented our plan, which is: we didn’t really have a plan. We were building a cabin safely, but we don’t know if we’ll keep it, rent it or sell it. In fact, we didn’t compare anything, but we think we could do it for about $20,000, maybe less. We would collect our stored cash through execution and participate together, it would also distribute the investment. Dan may not give up his task: he was building a career in the shipping industry in Seattle, getting hours to get his captain’s license, but he helped on weekends when possible.

Three weeks later, we discovered a quarter of uncooked land near Pat’s small network in the Cascades. It was a sloping meadow of ferns a few steps from the Skykomish River, adorned with mature Douglas fir trees, maple of large leaves and cedar. We will be offered an incredibly low offer of $3,000, sure that distributors will not take it seriously. If they agreed, we’d be a sign of the universe.

They agreed almost immediately. It’s early spring.

In the months leading up to construction, which would begin in June, we discussed sleep in detail. Naturally, we surrender with the sun, enjoying endless coffee cups before reaching the paints with our drills, saws and hammers. If we were looking to take a break and dance in The War on Drugs or shoot nails at tree stumps, we probably would. And when we needed a break, we took a long walk. At night, there were refreshing sauces in the river, followed by crackling bonfires. We were so sure of ourselves that we told our family, friends and partners that we would have finished until the end of August.

In May, Pat noticed her two weeks and I took a four-month leave. We drove Pat’s giant grey van in West Cascades, a position where skiers, climbers, eccentrics, methamphetamine addicts and hikers took refuge in dark, moss-covered forests.

The first week we got out of fantasy. The base came here first: 15 pillars arranged in 3 ordered rows of five, placed in holes dug with a rented auger; think of a gas bottle opener that makes giant holes in the ground. Since we had no water or electricity, we got into the frozen river to fill five-gallon jugs, then moved them to our property, where we combined concrete with rakes and shovels on huge black trays. In the photos of the early days, we are covered in dust and big stupid, anguished smiles.

Long walks, casual breaks and relaxing sessions on the river without delay came through the window. There’s no time Partly because we don’t anticipate the little things. The forest floor was sloping and covered in rain-soaked clay and lumps of fern roots clinging to our feet. Our shoes have been covered in mud. We slipped and fell, and when that happened, the sensitive grip of our tape measure on a remote piece of woodenen was lost, forcing us to start over. We never forgot about those temporary deformations, such as the time it took to move a ladder on a hill: we had to dig new holes with each move to provide a point game box for the stair legs. Or how simple it is for us to spend a total of days buying fabrics in Woodenen’s backyard at forty-five minutes. Hundreds of planks entered the design and we decided them by hand, examining them thoroughly to make sure they weren’t too deformed, bent, twisted or cut.

The days turned into weeks. We got up at five in the morning and built until the dim light made the paintings possible. At nine o’clock at night, we would stop by the bar and use Wi-Fi to produce loop copies for independent writing projects that kept our bank accounts afloat. Many of our occasional promises (circle of relatives, camps, birthday parties, breaks to spend time with our girlfriends) would soon break.

On a hot day in August, we experienced what was by turns the most bewildering and soul-crushing task of the build: getting the ridge beam in place. It was 28 feet long and hundreds of pounds, and it needed to be perched atop the highest point of the cabin, spanning the gap between the two tallest walls. We eventually produced a jimmy-rigged contraption that, in the kindest terms, might be called a slow-motion catapult that could (maybe) hoist the ridge beam into place.

Anything improvised like this to help us do a job, we call it “jazz.” As in: How the hell are we going to lift this beam without a giant crane? Maria Zakhared: We’re just going to do some jazz. The word was useful because of its lack of specificity, delaying a challenge and its possible solution until there is nothing left to be done in the end to create jazz.

In some ways, the whole cabin was jazz. When we had nothing but the floor, we were still sketching and debating ridiculous design ideas over our morning coffee—curved, pagoda-style rooflines; walls that folded down into decks; a spiral staircase wrapping around a tree trunk to the loft—as if we were made of money and time. As if we were imbued with the skills of master tradespeople. As if our girlfriends wouldn’t mind us disappearing, maybe forever, to build a hut of fancy and ruin. 

The jazz definition catapults her: a mess of strings, screws, ratchet straps and random straps, and then a longer rope that extended from the beam to Pat Subaru’s towing hitch on the steepest terrain. Around noon, one of our neighbors, a sturdy, muscular aircraft mechanic named Jordy, was very sensitive, saw jazz and, with notable concern, said: He lowered more ratchet straps to get them on the pile, then stayed to cheer us up. After 8 hours of fighting and a definitive pull of Pat’s Subaru, the lightning slid into his hanger. We placed a four-foot-long point there and, with unbridled relief, we saw that his bubble stopped.

That night, exhausted but satisfied, we jumped into the river and had a fireplace on its banks. We got and were temporarily given that we still had to cut and tie the beams, build the ceiling, install the door, finish the cladding and windows, build the kitchen and bathroom, put the wood stove. Fix the attic, insulate and cover the walls, wire and trim everything, not to mention the final responsibilities of ornaments, tiles, accessories, etc.

Pat and I work well in combination most of the time. As a general rule, one of us would assume the ceiling type role and the other the floor type. The guy on the roof is on the roof. The guy on the floor gives things to men on the roof (tools, materials, maybe a refreshing drink). But over time, the guy on the floor realizes how much the guy on the roof wants: asking for things, disapproving of cuts, telling the guy on the floor to do things again, and asking the guy on the floor to look at the tape to measure that the guy on the roof just fell for the fourth time. The guy on the floor does all the work, running into the mud, while the guy on the roof just enjoys the view and makes orders.

Then the boy on the floor starts to get angry and makes a sarcastic comment. Something like, “Does it have to be great up there?” He’s proposing a change. Maybe the guy on the roof needs to come down? Spend time in the country? But no, the guy on the roof likes it up there. He doesn’t have a brain at all. The guy on the roof is starting to think the guy on the floor is extraordinarily irritating to someone who doesn’t take any chances. And then bitterness bursts. After all, why does the man on the roof threaten his life and physical integrity, only to get sarcastic comments from the man on the floor?

Sometimes the tension would build toward something like the following actual conversation, shouted at each other between tasks: 

Pat (land boy): “I’m starting to feel bad!”

Bryan (roof guy): “I’m feeling mean, too!”

Pat: “Let’s not be mean to others!”

Bryan: “I’d really like that a lot!”

Other days, we wouldn’t resolve it in the moment. There’d be long, awkward van rides, with only the blaring beep of the broken headlight alarm to break the silence. Sometimes the haze would last an hour, sometimes overnight, but we’d always eventually make up, apologize, laugh about it, and move on. 

The biggest source of stress was the growing realization that we wouldn’t be able to finish on time or on budget, and we’d have to let down loved ones who counted on us getting back to our normal routines. I canceled trips to see my girlfriend, Kelly, who initially understood but before long became distant. Pat’s girlfriend, Kate, came up to help on some weekends, but the tension during difficult moments made her uneasy. As Pat reneged on various promises to be home, she started visiting less.

Finally, the only promise we couldn’t break to end the cabin. Across the region, listings of genuine goods of semi-finished huts abound, places where pieces of crushed insulation hang from unfinished walls. They chased us. As we moved through construction, we understood how they were born. People lack time and money. They do that they don’t know what they’re doing. They’re giving up.

If we gave up, this experience would only show us another thing we didn’t want to do with our lives. Or worse: that maybe our jobs hadn’t been the problem, but we were; that the empty feeling that had been bubbling up inside us at our nine-to-fives would follow us wherever we went. We’d get over the money we’d lose, but the dream would be harder to let go of. The cabin fantasy had buoyed our spirits through all those years behind a desk. If we quit, we’d would lose our vision of another, happier life. 

During breaks at home, it has become difficult to identify relationships with other people who were not directly involved. All we can think about is the cockpit: what will happen next, the materials, the cash that flowed from our accounts, the equipment we needed. And always, always, what can happen badly.

Years earlier, a landslide had buried a handful of nearby huts and led others into the river as if they were discs. What if we can think of ours? Or a tree can weigh the cabin in a windstorm. Then there’s the real challenge of not just ruining the structure procedure itself. When we weren’t actively structured, we went through the structure code books, called my father’s structure assistant and examined electrical wiring, weight tolerances, and roof structure methods. It was a fully immersive check through the chimney that took every penny and every minute we had, and as we invested more time and money into the project, the stakes of an unforeseen disaster increased, a fear that revealed in sharp and baffling moments.

Once, we were on the roof when a guy known as Hermit Gary arrived. We had only heard stories about him, and one bright day came out of a sea of ferns like a no-de-sea Poseidon. He was dressed in tracksuit pants, without blouse and earmuffs; held a chainsaw in his hands. Without saying a word, he began to cut a tree at the foot of our property, which would not have been a great challenge unless it had grown into a much larger tree and set on a precarious stage that could have destroyed the cabin. . in a violent collapse It took us a total minute of our screams before, in spite of everything, he would listen to us, look at the trees and say, “Oh … ha!” and continued his day elsewhere. Sometimes our cabin looked like a card space.

The August deadline has disappeared before our eyes. Like September. I had to go back to the paintings and Pat had to locate the paintings to return them. On the last day of September, after a week of uninterrupted rain, we discovered ourselves in the most sensitive steel ceiling, pushing the last screw into the softness of our headdresses, our legs trembling with exhaustion. But we didn’t even finish halfway. After 3 and a half months of paints, the interior was still absolutely raw. No insulation, no closets, no bathroom, no floor, no wood stove. We hadn’t even put the front door. And we had already exceeded our budget. We felt bad for Dan, who couldn’t reconcile as he wanted, but who saw the closure of monetary ruin as obviously as we did. (When he invented it, he seemed determined to make this pain literal by refusing to wear shoes at a structure site full of screws, nails, and steel ceiling parts.)

Construction went on into the winter. I went back to work but returned for long weekends. When it stormed, we strapped snowshoes to our feet, towing sleds stacked with 80-pound bags of concrete through three feet of snow in order to build a hearth for the woodstove. Once the electricity was fired up, the lights came on and we were no longer bound by the sun’s schedule. Our days became 16-hour slogs, interrupted by brief breaks to eat dehydrated backpacker meals. 

He spent the winter. The sensitive slingshots of the new ferns began to grow among their predecessors, which had been crushed by last season’s snow. We work on molding, which we burn to techniques of preservation of black Japanese wood coal. We ordered traditional lights, created a shower with exposed copper pipes and old-fashioned brass valves, and took our first turn in our most popular feature: a $2,000 electric toilet that incinerated humans in odorless ash.

A year after we broke ground, nine months behind schedule and about $30,000 over budget, we gathered friends to put the finishing touches on the place. We hung twinkly lights in the kitchen, rented a dumpster to pick up the giant pile of trash we had generated, and celebrated with champagne and a dance party aided by a fog machine Pat kept in the van at all times, you know, for emergencies.

Now the road ahead is clear. We had to sell the cabin. But for more than money, even if it’s vital given the status of our bank accounts. We had to sell it because promoting it meant the ability to have the resources to build another, and maybe another. Weeks later, Pat dug a hole near the road and placed a “For Sale” sign.

Because the cabin did not have a classic septic formula or a source of water, banks didn’t need to finish it, which meant we had to attract buyers who might pay in cash. Finding other people who enjoyed it is easy. Finding other people who had a suitcase of expenses didn’t. Finally, we chose to authorize the financing of sellers, a transaction that turned us into a bank that would obtain normal invoices from buyers for five years. After four months that seemed like an eternity, it sold for $115,000, which meant we’d end up more than doubling our investment, assuming our hourly work rate is $0. Do we receive our refund immediately? No, do you value it? Absolutely.

During the last weeks of paintings in the spring, if we had the energy, we stayed awake to communicate about what we were looking for in ten or twenty years. There’s something in the construction that precisely what we had I had. We enjoyed the fact that we don’t look at our computers all day. We enjoyed the stiffness of our back. I enjoyed the fact that our hands were so painful over dinner that squeezing a file into a taco looked like an Olympic event. We enjoyed the excitement that would result from getting the damn bejeezus out of a task, blowing screws on straight, strong boards, deafening music, running as a team without the need for communication beyond five years. Construction seemed to be an herbal extension of everything we value in our lives: creativity, friendship, purpose, responsibility.

The portions we were most involved in completing (foundations, roof, electric power) left us more proud of what we would have felt for years once we completed them. Even bursts of rage and javelin throws from 2 to 4 were narrated with laughtery howls in giant spaghetti bowls on the off-net of Pat at the end of a long day of work. Then we would sink into sleeping bags, excited and eager to end the day covered in mud, sawdust and caulking.

We know what it sounds like, the analogy drawn from cliché: it’s like rebuilding our lives, brother! But damn it, that’s how I felt.

It’s an incredibly blood-free December afternoon in 2019, a month and a part since the sale of the cabin, and we’re far from Pat’s snowy network. It is snow so heavy and rainy that total trees prostrate, break at their base, crash to the ground and emit giant rumours like avalanches. The roads are closed. Trees have cut the power lines along the mountain, which doesn’t count here, where oil lamps and battery-powered garlands remove the darkness from the room. We’re boiling snow because we’re running out of water and the propane tank is running out. But we have alcohol, and the chimney rumbles, and we plan the structure of the next cabin.

“Should I have a spiral staircase wrapped in a tree?” Pat’s jokes.

“Or a wall that folds on a terrace?” I’m answering.

Last October, I dropped out of my homework and started going to carpentry school. Pat builds modern retro-style caravans for paintings. We bought another plot of land, it’s at auction for about $5,000, and our goal is this fall, as long as COVID-19 doesn’t ruin it, to innovate again. In other words, unless a monster tree crushes the van with all our equipment inside, or a landslide destroys our property, or maybe someone starts squatting nearby and threatens us with a Bowie knife, or the dead Hermit ghost Gary can rest in peace: he comes back and cuts our progress with a ghost of a looping saw. There’s something to be afraid of. But the main points tend to disappear.

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