The first Dominica of the New Year, released for citizens and non-citizens in Rome
Capitoline Venus (Musei Capitolini)
Nella prima domenica del nuovo anno, il 7 gennaio, tutti i visitatori – residenti e non residenti a Roma – potranno accedere gratuitamente ai musei civici e ad alcune aree archeologiche della città. Domani saranno infatti aperte con ingresso libero l’Area Sacra di Largo Argentina (via di San Nicola De’ Cesarini di fronte al civico 10, dalle ore 9.30 alle ore 16, ultimo ingresso ore 15), l’area archeologica del Circo Massimo (dalle ore 9.30 alle ore 16, ultimo ingresso ore 15) e i Fori Imperiali (ingresso dalla Colonna Traiana 9-16.30, ultimo ingresso un’ora prima della chiusura).
The offer is complete with the following civic museums open:
Capitoline Museums; Traiano’s Markets – Museum of the Fori Imperiali; Ara Pacis Museum; Montemartini Power Plant; Museum of Rome at Palazzo Braschi; Museum of Rome in Trastevere; Gallery of Modern Art; Museums of Villa Torlonia; Sierra Moresca de Villa Torlonia; Civic Museum of Zoology; Giovanni Barracco Museum of Ancient Sculpture; Carlo Bilotti Museum – Aranciera di Villa Borghese; Pietro Canonica Museum at Villa Borghese; Napoleonic Museum; Museum of the Roman Republic and Garibaldine Memory; Casal de’ Pazzi Museum; Museum of the Mures; Villa of Massenzio.
The initiative is promoted through Roma Capitale, Evaluadora de Cultura – Sovrintendenza Capitolina ai Beni Culturali. Admission is free and compatible with the capienza dei site. Prenotazione obligatoria solo consistente con i gruppi al touch di Roma Capitale 060608 (ore 9-19).
Free access to the permanent collections for temporary exhibitions, from the Capitoline Museums (piazza del Campidoglio 1) to the Palazzo dei Conservatori, in the sale of pianos, continues surveillance in summer. Rome, October 16, 1943, priesthood of Yael Calò and Lia Toaff, commemorating the exhibition of documents, young people, drawings, photographs of memories of the daily life of other people – women, men, young people – the history of this day, In all the districts of the capital I stopped and had no more accidents.
In the Arazzi room of the Palazzo dei Conservatoria, the exhibition Vrbs Roma, the golden glass that refines the dea Roma, personification of the city.
La Roma della Repubblica, the second bankruptcy (after the exhibition La Roma dei Re in 2018) of the Il Racconto dell’Archeologia cycle, founded basically on the collections of communal houses of the State Conservatory, was sold to the 3rd piano of the Palazzo Caffarelli. The watch comes with multimedia content that evocatively tells the story of Rome’s republican history around the world.
In the end, in the corridor of the Magnifying Glass and in the antiquity of the Palace of the Conservators, in the legacy of Caesar and the conquest of time, if the history of Rome tells its origin to the works of the imperial State, between the Palazzo Clementino and the Ospitata I Colores del Antico. Marmi Santarelli and the Capitoline Museums, a wonderful panoramic view of the use of the marmi colorati, from the original to the 20th century, passing through a subtle variety of other people from the Fondazione Santarelli. (www. museicapitolini. org).
Ai Mercati di Traiano – Museo dei Fori Imperiali (IV November 94), with the Imago Augusti watch. Thanks to new commentary from Augustus of Rome and Isernia, visitors enjoy the opportunity to immerse themselves in the intense discussion of the emperor with his young man. al teste-ritratto marmoree di Augusto, which came at the behest of the scavi archeologici condotti presso of Alessandrina in Rome, in the domain of the Forum of Traian, and as far as the Via Occidental in Isernia, allows for a confrontationo animato tra due momenti of the emperor’s life. (www. mercatiditraiano. it).
Double presented through the museums of Villa Torlonia (via Nomentana 70). With the sale of the building of the Casina delle Civette it is possible to acquire the new exhibition Nel segno di Cambellotti. Virgilio Retrosi, artist and craftsman.
The project, committed to Virgilio Retrosi (Rome 1892-1975), an artist who contributed to the collections of the Museum of Rome 14 reference pieces dedicated to the ancient Rioni of Rome, aims to bring the general public closer to the figure of an artist who undertook to apply sua vita alle arti.
The Casino des Principes served on the last day to appreciate the first exhibition in Italy by Ferrari Sheppard (Chicago 1983), contemplating in recent times one of the most attractive American artists of recent generations. The exhibition, entitled “Crucible” and through the Priest by Ludovico Pratesi, presents this opera, made for the Roman public, as well as the video Be in My Mind, (www. museivillatorlonia. it).
The Museum of Rome at Palazzo Braschi (piazza San Pantaleo 10 – piazza Navona 2) is the last chance to do the opposite. Tenerani Spina. Dialogue in photographs. An encounter with Pietro Tenerani’s marble sculptural models, the representative figures of Italian and foreign society of the Ottocento and the photographs of Luigi Spina, among the greatest photographs of fresh art.
For the daily program of Italian fresh art, ospitato nelle comes to the piano terra et promosso dalla Quadriennale di Roma, on display, for the Paesaggio segment, the opera through the artists Francesco Arena, Rossella Biscotti, Claire Fontaine, nata from a testo di Daphne Vitali , enters the segment Portfolio Luca Marcelli Pitzalis responds to the opera Corrispondenze Vol. I’m the source of an email scammer that the artist and users wrote in a compromised newsletter, sent every day to markets on holidays, for a year. , at the invitation of the interlocutors to respond. (www. museodiroma. it).
Tra le mostre che si possono ammirare al Museo di Roma in Trastevere (piazza Sant’Egidio, 1/b). Nelle goes out to the piano cousin Lou Dematteis. Un voyage de ritornello/Un voyage en arrière. Photography in Italy 1972-1980, visual Diary, coffee through photography, 4 with the Italian-born statuary photographer Lou Dematteis made in Italy in 1972, 1977, 1979 and 1980.
In addition, so that this guy can enter for free, the Museum of Rome in Trastevere offers the best option to explore the ultimate must-see: the sale of Philippe Halsguy’s piano in Los Angeles. Genius Lamp, a photographic exhibition committed to Philippe Halsguy, among the most original and enigmatic stories of the Novecento with other centuries of photographs in other formats, in color, white and blos angelesck, which percorrono los angeles are intera carrera, decided through Contrasto and Archivio Halsguy in New York; The first piano performance of the unpublished book.
On the occasion of the centenary of the nascent screenwriter Giorgio Manganelli, Manganelli’s artists offer an in-depth look at the screenwriters of those who are committed to the visual arts, as well as a pictorial art especially encouraged by their tests, soprattutto quel degli friends of artists and fellow travelers. (www. museodiromaintrastevere. it).
Nelle departs from the Galleria d’Arte Moderna (via Francesco Crispi 24), numbered ‘La poesia ti guarda’. Omaggio al Gruppo 70 (1963-2023) produced a series of works from one of the most attractive artistic societies to emerge. in the festival of the neo-avant-garde and Italian verbal research, starting with the reappearance of the participants of the nascent Gruppo 70.
The other sale of Gam ospitano L’allieva di danza di Venanzo Crocetti. The Story, one of the first large-scale sculptures committed to the theme of Crocetti’s dance, filmed in all its period beauty thanks to an exact and specialized restorer of some of the ICRs. techniques. And now, Laboratorio Prampolini #2 – Taccuini, unpublished designs and commissions from the Futurism all’Art Club, an exclusive commission for me that aims to draw attention to the artistic multilingualism and interdisciplinarity of Enrico Prampolini, in the arc of The Rhythm from the 1930s to the 1950s of the Novecento, at the peak of the artist’s career and assigning exuberance.
Finally, in the chiostro garden it is still possible to purchase StenLex. Rinascita – Site-specific urban folk art intervention, produced in particular through the Galleria in collaboration with the Wunderkammern Gallery. (www. galleriaartemodernaroma. it).
Al Museo delle Mura (Via di Porta San Sebastiano,18) la mostra Garbatella – Il cuore di un quartiere in 100 battiti di luce, un pluriennale progetto fotografico realizzato da Zhanna Stankovych, compositrice e pianista classica ucraina, scrittrice e fotografa per passione, residente a Roma da 25 anni. Il tema del progetto è incentrato sulla peculiarità del quartiere Garbatella, con particolare accento sul calore umano e sul suo spirito popolare, nonostante la vicinanza al maestoso e movimentato centro storico della Capitale. (www.museodellemuraroma.it).
The Pietro Canonica Museum (viale Pietro Canonica) in Villa Borghese houses the El Dorado clock, the priest of Alessandra Mammì with the operas of Renata Boero, Paolo Canevari, Valerio D’Angelo, Gianni Dessì, Rä di Martino, Flavio Favelli, Sabina Mirri, Elisa Montessori, Luigi Ontani and Alfredo Pirri. The figuration of the “golden base”, a culinary strategy that dates back to the early Christian and Byzantine periods, is very important in attracting artists who have influenced global practice and stimulating new interpretations to give modernity.
At the Carlo Bilotti Museum, always at Villa Borghese (via Fiorello La Guardia 6 – viale dell’Aranciera 4) you can see tendue_intense, in combination with the opera by Barbara Doser and Hofstetter Kurt, representatives of fresh Austrian conceptual art. A fascinating perverse espositivo costellato video, installazioni, stampe di immagini, proiesioni etsculpture, the usual common thread is the intreccio and simultaneity of the opponents. (www. museocarlobilotti. it).
Fanno eccezione allos angeles freeà: Fidia, ospitata en la venta de Villos angeles Caffarelli, the first monographic exhibition dedicated to the greatest Greek sculptor of the state near Los Angeles, is part of an unaspettato course and deals with multimedia installations angelestions, archaeological directories, Greek originals and Romanesque replicas, dipinti, manoscritti, disegni, alcuni esposti consistent with the angeles prima volta;
Helmut Newton. Legacy, at the Museo del Ara Pacis (in front of the exhibition in Via di Ripetta 180), exhibited in agreement with the Newton Foundation, and curated by Matthias Harder and Denis Curti, who reviewed some 250 photographs, e-book and the document tells in a new way the unity, taste and provocative aspect of the photographic celebrity. (www. arapacis. it);
the immersive excursion of the Circus Maximus in augmented and virtual reality, Circus Maximus Experience, from 10 a. m. to 3 p. m. (every 15 minutes, the last one at 2. 50 p. m. ); www. circomaximoexperience. it).
Ingresso a tariffa ridotta per possessori della Mic Card. Tutte le informazioni e gli aggiornamenti sono disponibili su www.museiincomuneroma.it e sui canali social di Roma Culture, del Sistema Musei e della Sovrintendenza Capitolina ai Beni Culturali. Servizi museali a cura di Zètema Progetto Cultura.