Plastics: the long term of fashion.
In today’s fashion industry, brands and influencers are taking gradual steps to drive change; implementing advances in science and generation. Simply put, the fashion industry is ready for revolution. Fashion brands will now have to look beyond the delight in their products and the taste they create for consumers, look for tactics to use the generation to bond more deeply and show that they care about other people and the planet. Indeed, now more than ever, humanity relies on nature to help solve the environmental challenge that humanity itself has created. Forged through a long-standing dating between modeling and the environment, Ria Serebryakova’s inherent ethics of plastic intake and waste has captured the importance of the global challenge.
Ria Serebryakova first caught my eye when she arrived at the New York fashion scene. Over the years, I’ve enjoyed watching her modeling career unfold. Plus, it’s exciting to see him on set as editorials are made. Although modeling is a fast and not easy career, Ria does so with passion, making it different from others in the same field. What is vital to her fan base, however, is that Ria is more than a charming face, but an environmental defender who strives for a sustainable purpose for the betterment of the planet.
As a model, Ria has walked to some of the world’s luxury fashion houses, adding Tory Burch, Gucci and Dolce and Gabbana. In addition, it has been the face of advertising campaigns ranging from L’Oréal to Ray-Ban.
Being an artistic user in the background, Ria now uses her voice to act within the fashion community. In short, beautiful symbols have captured their fascination. In fact, he is a very expressive user. Unsurprisingly, he also has emotional intensity and recently illustrated adulthood in his first photographic exhibition held at the Van Der Plas Gallery, New York. “The 2084” was the call he gave to the exhibition. Each symbol highlighted its deep environmental concerns. She used her influence to tell others about the ecological effect of plastic on the planet. In fact, Ria approached the subject in an absolutely different way from what other people expected, causing excitement among those lucky enough to see her exhibition firsthand.
For the past decade, I’ve been exploring other tactics in which fashion brands and taste influencers are devising methods with their voices to protect the beloved planet Earth. Ria had been on my radar for some time. I am very happy to see that you are focused on your project for a sustainable future.
Speaking of 2084, Ria says, “The convenience that plastic brought to humans has already passed a bill. Human intervention is more necessary than ever to prevent the environment from being absolutely hit by the inconsiderate removal of plastics before nature can even heal itself.
The global plastic pollutant factor in relation to fashion is more than complex. But yarn-spun water bottles can be reused on changed clothing to suit the tastes of today’s sustainable consumers.
I recently had the opportunity to speak to style activist and plastic contaminants Ria Serebryakova about why she loves a level connection while designing haute couture and why she thinks her 2084 exhibition will make the world a bigger place.
Joseph DeAcetis: Talk to Forbes about you: why did you become a model? What are you most interested in being a model?
Ria Serebryakova: At first, I wasn’t modeling to be serious in my life. In fact, he wasn’t the kind of user who dreamed of that. The only facet that was familiar to me was the creation of a beautiful image. Otherwise, I didn’t know what to expect. I think it was a wonderful opportunity to check something new and get to know the world.
While running, the jobs he enjoyed to the fullest were those in which he had room for creativity. I enjoyed running for publishers because I can be explicit about them. I think the most productive thing about that kind of work is that you know other people with a vision and you explicitly help them in the images. I appreciate the connection that occurs on stage, when all team members paint in combination to create something beautiful.
Joseph DeAcetis: How would you describe your modeling so far?
Ria Serebryakova: Since I started modeling at 18, my career has grown rapidly. I traveled to other countries and worked non-stop. I think my first year was so busy that the only explanation for why I stopped running is because I’m in poor health from physical exhaustion.
The biggest fortune I ever had was running in New York. My firm Official Models (formerly Silent Models NY) has done a wonderful job of giving me the opportunity to meet some of the other most important people in the fashion industry. I think in modeling, part of good luck is having a signature that believes in you. I was lucky enough to have one.
There have been other demanding situations at other stages of my career. At first, it was about making a good impression and interesting everyone. After that, it was a matter of showing those in you that you are worthy of it. The ultimate recent challenge I’ve faced has been to realize that I have to make sense of what I do. Not everyone has the opportunity to be heard, so I made the decision to seize this opportunity and seize it.
Joseph DeAcetis: Why did you move to New York? Did your move to New York help you advance your career?
Ria Serebryakova: Since I arrived in New York, I have seen many doors open to me. I haven’t been bored since. I hadn’t planned to stay, but over time it became clear to me that this city might be offering me the ultimate opportunities.
Joseph DeAcetis: What are your long-term goals and how do you plan to achieve them?
Ria Serebryakova: I try not to count my goals until they come true, so let’s keep it a secret for now!
Joseph DeAcetis: How do you stay in shape? What’s your secret plan? How do you train or go to the gym?
Ria Serebryakova: In my opinion, the most productive way to maintain compatibility is to eat healthily and be active. I think diets have a negative or even opposite effect on metabolism. I know that the most productive way to lose or gain weight is to do it slowly. I go out to exercise 3 times a week, but if I’m exhausted after work, I think it’s
Joseph DeAcetis: Talk to Forbes about his “The2084” assignment and why he’ll make the world a bigger place.
Ria Serebryakova: First of all, this assignment would not have been imaginable without the team that helped me implement it. I especially thank Alexey Glebko, who photographed the task brilliantly. I am very proud of the paintings we have made and am very grateful for our achievements.
When I chose the theme of this project, I came up with something that would be visually striking, but that would also play the pitfall role of our time. I make plastic because I think it’s a wonderful example of how such a revolutionary invention has become a curse.
Plastic has allowed others to mold any shape, color and texture. It has replaced many expensive materials, which has made many things more affordable. In addition, plastic has shaped the appearance of our world. Then I sought to show that the challenge of plastic arose because its indestructibility meant that the consequences of our irresponsibility would not pass. Instead, they will be recorded on the face of the planet.
One of the most demanding situations to create a flavor composed of plastic, while hunting post-apocalyptic. I tried to show how plastic applies to all facets of a person’s life. With a talented stylist and my very intelligent friend Daniel Akinshevych, we created the flavor that tells the story.
Growing up, I was excited because there were so many books and videos that talked about the time I lived. I sought to see if any of those stories turned out to be real.
Today’s younger generation is very disappointed by the global thing they inherited, because they have to fix a lot of things they left to other generations. Plastic contaminants are one of several disorders facing our generation in the coming years.
It would be a pity if the footprint of fashionable civilization, rather than cultural heritage like ancient civilizations, was basically composed of waste. With this story I tried to exhibit it, as if the terracotta boxes were replaced by plastic bottles. Our long term will be someone else’s past, and if other people don’t care about the environment, I hope they care how history won’t forget them.
Joseph DeAcetis: You gave the impression in the Van Der Plas gallery, how do you answer that and you think you had a message that looks like it?
Ria Serebryakova: I am pleased that there has been a lot of discussion about the project. I was very pleased with the public reaction because I sought to see the importance of this problem.
Joseph DeAcetis: What recommendation would you give to women and young children who aspire to be environmental activists?
Ria Serebryakova: I think everyone’s trail is another and everyone has to locate their own path. I need to inspire everyone not to be afraid of challenges. Don’t look for simple solutions. Only hard paintings really value it. Keep your brain alert, ask yourself and don’t forget that as you avoid evolving, you start to go backwards.
Renowned American journalist and foreign editor. My interest lies in the speed and direction of adopting trends in fashion and luxury lifestyle, to the genuine era
Renowned American journalist and foreign editor. My interest lies in the speed and direction of trend adoption in fashion and luxury lifestyle, real-time fashion through key influencers and how disruptions and social intelligence have made the transition from the trend landscape through the democratization of the market.