ROME – At the beginning of the new year, on January 7, all visitors, citizens and non-citizens of Rome, can visit the city’s civic museums and some archaeological sites. Domani saranno infatti consistent with the free entrance to the Sacred Area of Largo Argentina (via San Nicola De’ Cesarini in front of the civic 10, slab ore 9. 30 alle 16, last entrance ore 15), the archaeological area of the Circo Massimo ( ore slab 09:30 to ore 16, last access ore 15) and the Inconsistent Forums coniali (entrance from Colonna Traiana 21-16:30, last access to the ora prima della chiusura). The offer is complete with the following open civic museums: Capitolini Museums; Traiano – Fori Markets Inconsistent with the Iali Museum; Ara Pacis Museum; Montemartini Power Plant; Museum of Rome in Palazzo Braschi; Museum of Rome in Trastevere; Gallery of Modern Art; Villa Torlonia Museums; Serra Moresca of Villa Torlonia; Civic Museum of Zoology; Giovanni Barracco Museum of Ancient Sculpture; Carlo Bilotti Museum – Aranciera di Villa Borghese; Pietro Canonica Museum in Villa Borghese; Napoleonic Museum; Museum of the Roman Republic and Garibaldina Memory; Casal de’ Pazzi Museum; Mures Museum; Villa di Massenzio. L’iniziativa est promossa da Roma Capitale, evaluator of culture – Sovrintendenza Capitolina ai Beni Culturali. Free access and compatible with the capienza dei site. Compulsory prenotazione only consistent with the touch middle group of Roma Capitale 060608 (date 9-19).
Free access to the permanent collections for the temporary exhibitions, from the Capitoline Museums (Piazza del Campidoglio 1) to the Palazzo dei Conservatori, at the piano sale, continues the guard in summer. Rome, October 16, 1943, the parish priest of Yael Calò and Lia Toaff, commemorating the exhibition of documents, other young people, drawings, photographs of memories of the lives of other people – women, men, young people – the history of that day, in all the neighborhoods of the Capital, were arrested and no longer destroyed. In the Arazzi room of the Palazzo dei Conservatori, the exhibition Vrbs Roma, the golden crystal that refigures the dea Roma, personification of the city at the moment when the iconography spreads, in combination with the elmo and the Lancia, reaches the corso degli scavi for the realization of the metro station C in Porta Metronia.
La Roma della Repubblica, the second bankruptcy (after the exhibition La Roma dei Re in 2018) of the Il Racconto dell’Archeologia cycle, founded basically on the collections of communal houses of the State Conservatory, was sold to the 3rd piano of the Palazzo Caffarelli. , Magazines and Museums. The clock is made up of multimedia content that evocatively tells the story of the republican hitale of Rome around the world, if we count the hitale of Rome from its origin to the works of the imperial state, among others the Palazzo Clementino. It is the church of the colors of antiquity. Marmi Santarelli and the Capitoline Museums, a wonderful panoramic view of the use of the marmi colorati, from the original to the 20th century, passes by a subtle variety of other people from the Fondazione Santarelli. (www. museicapitolini. org).
Ai Mercati di Traiano – Museo dei Fori Imperiali (until IV November 94), with the Imago Augusti clock. With new commentary from Augustus of Rome and Isernia, stopping travelers enjoy the opportunity to immerse themselves in the emperor’s intense discussion with his young woman. Due to the teste-ritratto marmoree di Augusto, arrived at the request of the scavi archeologici condotti presso through Alessandrina in Rome, in the domain of the Forum of Traiano, and up to the through Occidental in Isernia, allows a lively confrontation. Tra due moment in the life of the emperor. (www. mercatiditraiano. it). Duplication carried out through the museums of Villa Torlonia (by Nomentana 70). With the sale of the Casina delle Civette unit it is possible to acquire the new exhibition Nel segno di Cambellotti. Virgilio Retrosi artist and craftsman. The positive project, committed to Virgilio Retrosi (Rome 1892-1975), an artist who contributes to the collections of the Museum of Rome 14 reference pieces dedicated to the ancient Rioni of Rome, aims to bring to the general public the figure of an artist who committed with his life in all the arts. The Casino des Principes is the last favorable day to appreciate Ferrari Sheppard’s first exhibition in Italy (Chicago 1983), recently contemplating one of the most attractive American artists of recent generations. The exhibition, titled ‘Crucible’ and curated by Ludovico Pratesi, offers this opera, of undici quality made appropriately for the Roman clock, as well as the video Be in My Mind, (www. museivillatorlonia. it). At the Museum of Rome in Palazzo Braschi (piazza San Pantaleo 10 – piazza Navona 2) last opportunity to stopover in Vis-à-vis. Tenerani Spina. Dialogue in photographs. An encounter with the sculptural marble models of Pietro Tenerani, the reprovident figures of the Italian and foreign society of the Ottocento and the photographic photographs of Luigi Spina, among the greatest photographs of fresh art.
Per il programma di arte italiana contemporanea Quotidiana, ospitato nelle sale al piano terra e promosso dalla Quadriennale di Roma, in esposizione, per la sezione Paesaggio, le opere degli artisti Francesco Arena, Rossella Biscotti, Claire Fontaine, nata a partire da un testo di Daphne Vitali, mentre per la sezione Portfolio Luca Marcelli Pitzalis espone l’opera Corrispondenze Vol. I, che prende origine da uno scambio di e-mail avvenuto tra l’artista e gli utenti iscritti a una newsletter dedicata, inviata ogni due mercoledì alle dieci di sera, per un anno, in cui invitava gli interlocutori a rispondere. (www.museodiroma.it).Tra le mostre che si possono ammirare al Museo di Roma in Trastevere (piazza Sant’Egidio, 1/b). Nelle sale al primo piano Lou Dematteis. Un viaggio di ritorno/A Journey Back. Fotografie in Italia 1972-1980, diario visivo, espresso attraverso la fotografia, di quattro viaggi che il fotoreporter statunitense di origine italiana Lou Dematteis compie in Italia nel 1972, 1977, 1979 e 1980.Inoltre, in questa domenica a ingresso gratuito, il museo di Roma in Trastevere offre l’ultima possibilità per ammirare due mostre imperdibili: nelle sale del piano terra Philippe Halsman. Lampo di genio, esposizione fotografica dedicata a Philippe Halsman, tra i più originali ed enigmatici ritrattisti del Novecento con oltre cento immagini di vario formato, tra colore e bianco e nero, che percorrono la sua intera carriera, selezionate da Contrasto e Archivio Halsman di New York; al primo piano Illustrazioni per libri inesistenti. Artisti con Manganelli, in occasione del centenario della nascita dello scrittore Giorgio Manganelli presenta una cospicua mole di scritti da lui dedicati alle arti visive, oltre a opere d’arte esplicitamente ispirate ai suoi testi, soprattutto quelle degli artisti amici e compagnons de route. (www.museodiromaintrastevere.it).Nelle sale della Galleria d’Arte Moderna (via Francesco Crispi 24), numerose le proposte, fra cui ‘La poesia ti guarda’. Omaggio al Gruppo 70 (1963-2023) una selezione di opere di uno dei sodalizi artistici più interessanti sorti nel contesto delle neoavanguardie e delle ricerche verbovisuali italiane, in occasione della ricorrenza dei sessant’anni dalla nascita del Gruppo 70. Le altre sale della Gam ospitano L’allieva di danza di Venanzo Crocetti. Il ritorno, una delle prime sculture di grande formato dedicate al tema della danza di Crocetti, che torna in tutta la sua magnificenza dopo circa due anni di un accurato e specialistico restauro da parte dei tecnici dell’ICR. E ancora, Laboratorio Prampolini #2 – Taccuini, disegni e progetti inediti dal Futurismo all’Art Club, un progetto esclusivo per mezzo del quale s’intende riportare l’attenzione sul multilinguismo artistico e l’interdisciplinarietà di Enrico Prampolini, nell’arco di tempo che va dagli anni Trenta ai Cinquanta del Novecento, all’apice quindi della carriera e dell’esuberanza progettuale dell’artista. Infine, nel chiostro-giardino è ancora possibile ammirare StenLex. Rinascita – Intervento artistico site specific e stendardo urbano, appositamente realizzato per la Galleria in collaborazione con Wunderkammern Gallery. (www.galleriaartemodernaroma.it).
In the Museum of the Walls (Via di Porta San Sebastiano, 18) the Garbatella clock is projected – In the middle of a community with a hundred battis of light, a multi-year photographic commission carried out by Zhanna Stankovych, Ukrainian classical composer, pianist and screenwriter . and photographer through hobthroughArray living in Rome for 25 years. The theme of the commission focuses on the specificity of the Garbatella neighborhood, with special emphasis on human warmth and its popular spirit, not far from the domain and movement of the historic center of the capital. (www. museodellemuraroma. it). (SAY) Rome, 6 gen. – The Pietro Canonica Museum (viale Pietro Canonica) in Villa Borghese houses the El Dorado and the Cura clock by Alessandra Mammì with the operas of Renata Boero, Paolo Canevari, Valerio D’Angelo, Gianni Dessì, Rä di Martino, Flavio Favelli, Sabina Mirri, Elisa Montessori, Luigi Ontani and Alfredo Pirri. The figuration of the “golden base”, a culinary strategy that dates back to Early Christian and Byzantine times, is not of much importance in attracting artists who have influenced global practice and stimulated new interpretations to give modernity. At the Carlo Bilotti Museum, semper a Villa Borghese (via Fiorello La Guardia 6 – viale dell’Aranciera 4) shows it tenso_intenso, with the opera by Barbara Doser and Kurt Hofstetter, representatives of fresh Austrian conceptual art. A desirable perverse of video, installation, symbolic seals, symbols and sculpture, the usual common thread is the intreccio and the simultaneity of the opponents. (www. museocarlobilotti. it).
Fanno eccezione allos angeles freeà: Fidia, ospitata en la venta de Villos angeles Caffarelli, the first monographic exhibition dedicated to the greatest Greek sculptor of the state of angelic closure as part of an inspettato course and dedicated to multimedia installations angelestions, archaeological directories, Greek originals and Romanesque replicas, dipinti, manoscritti, disegni, alcuni esposti consistent with the angeles prima volta; Helmut Newton. Legacy, at the Ara Pacis Museum (with access to the exhibition through Ripetta 180), exhibited in partnership with the Newton Foundation, and curated by Matthias Harder and Denis Curti, who crossed around 250 photographs, e-books and documentary stories with a new style of illustration. (www. arapacis. it); the immersive excursion of the Circus Maximus in augmented and virtual reality, Circus Maximus Exconsistent, from 10 a. m. to 4 p. m. (every 15 minutes, access at 2. 50 p. m. ); www. circomaximoexconsistent withience. it). Entrance at the ridota rate for Mic Card holders. All the information and news are available on www. museiincomuneroma. it and on its social channels about Roma culture, the museum formula and the economy of the Capitol and cultural assets. Museum of the Zètema cultural project.
Domenica 7 gennaio all tourists who make a stopover can stop at the civic museums and archaeological sites free of charge, as well as at all the temperate exhibitions.
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