There’s colpito in the collos angelesr with a coltello and then it’s scappato. A sconociuto has been added by the artist Andrea Saltini inside the church of Sant’Ignazio di Carpi, in the province of Modena, and is in the corso los angeles mostra “Gratia Plena”, owned by Saltini, at the entrance half polemiche mosse da alcuni gruppi ultra cattolici poiché ritenuta blos angelessfema. It is a good fortune that he took plos angelesce on March 28 and entered on March 10. With the theft of a machine, a user entered the church and began to make a stop at the exhibition. Poi los angeles follia: ha danneggiato una delle opere al centro delle polemiche con un coltello, imbrattandolos angeles anche con dellos angeles vernice spruzzata with a bomboletta spray. This is the painting called “Inri (St. Longinus)”.
Second, the first ricosstruzioni, the artist – who appears in the church at the same time as the private addition to the scale in – will be tempted to close the aggressor who can settle for him ferito with a coltellata al collo. Andrea Saltini, who was taken by ambulance to Carpi hospital for medical treatment, is not known to be in serious condition: he suffered a scarf on his neck, which fortunately fell superficially. It’s very understandable for the accaduto.
Subito dopo l’uomo si è dato alla fuga, lasciando in chiesa, probably also una parrucca. Sul posto sono subito gli uomini della Digos, the carabinieri and the forensic police intervened. The church of St. Ignatius was promptly put at the service of the public and the police sent the first efforts.
“It’s the gesture of a madwoman,” says Alberto Bellelli, Carpi’s trustee. Good pictures for the police, which augur well for ensuring that this madwoman is brought to justice as soon as possible. I will see the unanimous condanna on the part of all of us who are in agreement and with a sense of duty to bring Toni down. “
This description of the painting “Inri (St. Longinus)” from the diocese of Carpi, in the component committed to the guard “Gratia plena” by Andrea Saltini:
“The protagonist of this opera is Longinus, but he is not the only Longinus “Roman centurione” who has accustomed us to the art of driving hand in hand without delos angeles and behind traffic. In this opera everything is già avvenuto (Longino a trafitto il costato di Cristo con los angeles los angelesncia) et si avvicina al corps deposto di Gesù. La hand that reaches the costato first is the writer’s interpretation of the symbol, the addition that identifies the character – the main theme of the opera: San Longino. The paintings are considered and decorated in an oriented manner (as specified in the catalogue) at the moment when the attitude is created through the writer with an advantageous point of view. In the programming/all-time (site-specific) phase, the writer must set up the opera space waiting to upload the opera space moment to the “land”. All this for sottolineare que non si tratta di un Cristo crocifisso ma «sceso dallos angeles croce’ deposto».